Audio inputs
In advanced mode (SETUP), select AUDIO INPUT from the side menu.Each input has the following controls:

Gain (GAIN)
- Adjusts the input signal level within a range of ±14 dB.
- For analog inputs, 0 dB corresponds to +4 dBu, referenced to -18 dBfs (AES K18).
This provides 18 dB of headroom.
Trim R
- Gain compensation for the right channel.
- Adjustment range: ±3 dB.
- Allows correction of channel imbalances.
ST/MONO
- Switches the input between:
- STEREO
- MONO (sum of left and right channels).
Main and alternative inputs
The 542APC automatically switches between inputs based on signal presence or absence.- A main input is defined.
- Up to two alternative inputs can be configured (FAIL BACKUP 1 and 2).
- The unit switches in this order:
- Main input
- FAIL BACKUP 1
- FAIL BACKUP 2
Switching parameters
- LEVEL → threshold below which the signal is considered failed.
- Adjustable between -45 and -80 dB (5 dB steps).
- FAIL TIME → time in seconds that the signal must remain below the LEVEL threshold to trigger switching.
Input filters
- HI PASS (Chebyshev type)
- Options: 0 (disabled), 20 Hz (factory default), 40 Hz, 60 Hz, 80 Hz.
- Eliminates subsonic signals, typically picked up by microphones.
- LOW PASS
- Options: 15 kHz, 16 kHz, 20 kHz.
- Can be disabled (None).
Audio outputs
In advanced mode (SETUP), select AUDIO OUTPUT from the side menu. The processor has four audio outputs, each with independent level adjustment.
- Balanced analog output (XLR)
- Unbalanced analog output (RJ45)
- AES-3 digital output
- Ethernet streaming (AoIP)
PRE-emphasis
All outputs feature pre-emphasis switching. When activated, the output includes the 50 uS or 75 uS emphasis curve, according to configuration. Pre-emphasized output is used in configurations where the exciter or transmitter applies de-emphasis to the input audio.Signal source switching
The RJ45 analog, AES-3 digital, and AoIP outputs can be configured to send:- Processed signal.
- Signal from the FM receiver.
When an output transmits the FM receiver signal, the output level reflects the actual on-air level, assuming: Modulation = 100%; FM Receiver input gain = 0 dB.